동영상편집 방송영상장비 및 강좌 소개-Videozine

DIY 갤럭시탭10.1 거치대, 휴대폰 거치대 diy

d요리사b — Mon, 06 Feb 2012 15:25:03 +0900

집에 안쓰는 원목 젠가를 이용해서 내 갤럭시탭 10.1과 휴대폰 겸용 거치대를 만들어봤다.
담배깍으로 만든 거치대를 보고
나도 하나만들어봐야겠다는 생각을 하다가

집에 돌아다니는 젠가를 이용해서 만들었다.

완성품!

우선 젠가를 쫄대못으로 뚝딱 뚝딱 했다.

브라운 색으로 페인트 칠을 쓱싹 쓱싹!!!

사포질로 빈티지 스탈~~!! ㅋㅋㅋ

짜잔~~ ㅋ

갤럭시탭을 얹어도 딱!!
갤럭시탭10.1 거치대 완성

휴대폰거치대로 딱!!

젠가로 만드니깐 재단할 필요도 없이 쉽게 만들수 있었다.

gemini 4:4:4

d요리사b — Thu, 08 Dec 2011 15:43:36 +0900

MW F3의 완벽한 동반자로 알려진, 무압축 4:4:4 레코더와 5" 터치스크린 모니터를 합처놓은 제품.
SSD RAID지원, eSATA를 드라이브 리더가 포함되어 있고 듀얼레코딩 기능과 백업레코딩 기능까지된다고 하네요..
괜춘하네요..
가격이 가격이.. ㅋㅋ 6000$ 이라니깐 울나라에선 아마 700만원 넘겠네요.. ^^;;

Supported Standards : HD-SDI: SMPTE 292M
3G-SDI: SMPTE 424M
HD-SDI Dual-Link: SMPTE 372M

Video Formats : 1080p @ 23.98/24/25/29.97/50/59.94/60 fps
1080i @ 50/59.94/60 fps
720p @ 23.98/25/29.97/50/59.94/60 fps; 2048x1080p @ 23.98/24 fps

Recording Format : Video: 10-Bit 4:2:2 / 4:4:4 recording to DPX file format
Audio: WAV

Recording Time : With 2x 256 GB SSDs: 1080p24 (4:2:2): 66 minutes
1080p24 (4:4:4): 44 minutes
1080p25 (4:4:4): 43 minutes
1080p30 (4:2:2): 54 minutes
1080p50 (4:2:2): 32 minutes
1080p60 (4:2:2): 26 minutes

LCD Monitor : 5" LCD, 800 cd/m², 800 x (RGB) x 480 pixels, 24-bit, 900:1 true contrast, 170° viewing angle
(IPS technology), color calibrated at factory

인텔 코어 i7 2600 (샌디브릿지)

d요리사b — Thu, 01 Dec 2011 16:50:32 +0900

인텔 코어 i7 2600 (샌디브릿지)

인텔(소켓1155) / 64(32)비트 / 쿼드코어 / 3.4GHz / 256KBx4 / 윈도우7가상화 / 터보부스트2.0(최대3.8GHz) / 하이퍼스레딩8스레드 / 인텔그래픽스HD2000내장 / GPU코어속도:850MHz(최대1,100MHz)

http://lcb.intel.com/kr/buy/shop/list.asp?product=4&processor=2&iid=Shop-online1-kr+box_ci7

아수스 P8Z68-V PRO-hd편집 준비 메인보드

d요리사b — Thu, 01 Dec 2011 12:00:22 +0900

DIGI+ VRM 디지털 전원 디자인의 듀얼 인텔리전트 프로세서 2
UEFI BIOS (EZ 모드) – 쉽고 간편한 BIOS 인터페이스
LucidLogix® Virtu (Universal Switchable Graphics) – 내장 그래픽과 NVIDIA/AMD 그래픽 카드 사이에 자동으로 그래픽 전환 기술 지원
Intel® Smart Response Technology – HDD의 용량으로 SSD의 스피드를 더 빠르게
BT GO! (블루투스) – 블루투스를 활용하여 다양하게 즐겨보자
쿼드 USB 3.0/SATA 6Gb/s Support – 연결도 두 배 편리함도 두 배로
쿼드 - GPU SLI and 쿼드 - GPU CrossFireX 지원!

출처 : http://kr.asus.com

CPU : Intel® Socket 1155 for 2^nd Generation Core™ i7/Core™ i5/Core™ i3 Processors
Supports Intel® 32 nm CPU
Supports Intel® Turbo Boost Technology 2
* The Intel® Turbo Boost Technology 2.0 support depends on the CPU types.
* Refer to www.asus.com for CPU support list

Memory : 4 x DIMM, Max. 32GB, DDR3 2200(O.C.)/2133(O.C.)/1866(O.C.)/1600/1333/1066 Hz Non-ECC, Un- buffered Memory
Dual Channel Memory Architecture
Supports Intel® Extreme Memory Profile (XMP)
* Hyper DIMM support is subject to the physical characteristics of individual CPUs.
* Refer to www.asus.com or user manual for the Memory QVL (Qualified Vendors Lists).
* Due to CPU behavior, DDR3 2200/2000/1800 MHz memory module will run at DDR3 2133/1866/1600 MHz frequency as default.

Multi-GPU Support : Supports NVIDIA® Quad-GPU SLI™ Technology
Supports AMD Quad-GPU CrossFireX™ Technology
Supports LucidLogix® Virtu™ Technology

Expansion Slots : 2 x PCIe 2.0 x16 (x16 or dual x8)
1 x PCIe 2.0 x16 (x4 mode, black) *¹
2 x PCIe 2.0 x1
2 x PCI

Storage : Intel® Z68 chipset : 2 x SATA 6Gb/s port(s), gray, 4 x SATA 3Gb/s port(s), blue, Support Raid 0, 1, 5, 10 Support Intel® Smart Response Technology on 2^nd generation Intel® Core™ processor family
Marvell® PCIe 9128 controller : *²2 x SATA 6Gb/s port(s), navy blue
JMicron® JMB362 controller : 1 x eSATA 3Gb/s port(s), red 1 x Power eSATA 3Gb/s port(s), green

arri alexa 필름카메라로 유명한 arri사의 디지털카메라 alexa

d요리사b — Wed, 02 Nov 2011 14:38:56 +0900

arri alexa 필름카메라로 유명한 arri사의 디지털카메라 alexa

http://www.arri.com 출처

Camera Type	35 format film-style digital camera with integrated shoulder arch and receptacles for 15 mm lightweight rods.
Sensor	35 format ALEV III CMOS with Dual Gain Architecture (DGA) and Bayer pattern color filter array. 1.5x oversampling for 1920 x 1080 output. 1.78:1 (16:9) sensor area used for image out.
Frame Rates	"ProRes 422 (Proxy), 422 (LT), 422 and 422 (HQ): 0.75 - 60 fps
Shutter	Electronic rolling shutter, adjustable from 5.0° to 358.0° with 1/10 degree precision.
Exposure Latitude	14 stops for all sensitivity settings from EI 160 to EI 3200, as measured with the ARRI Dynamic Range Test Chart (DRTC)
Exposure Index	EI 160 (+5.0 / -9.0), EI 200 (+5.3 / -8.7), EI 400 (+6.3 / -7.7), EI 800 (+7.4 / -6.6), EI 1600 (+8.4 / -5.6), EI3200 (+9.4 / -4.6) Values behind the exposure index are the number of stops above and below 18% grey. These values are for Log C. Rec 709 and DCI P3 have 0.5 stops fewer in the low end at EI 160, 0.4 stops fewer in the low end at EI 200 and 0.2 stops fewer in the low end at EI 400. Otherwise they are the same.
White Balance	Separate red/blue and green/magenta balance available through Auto White Balance or manual setting. Red/blue: 2000 to 11000 Kelvin, adjustable in 100 K steps, with 1 CC = 035 Kodak CC values or 1/8 Rosco values. presets of 3200 (tungsten), 4300 (fluorescent), 5600 (daylight), 7000 (daylight cool). Green/magenta: -8 to +8 color correction (CC),
Sound Level	Under 20 dB(A) at ≤ +30° Celsius (≤ +86° Fahrenheit) with lens attached and fan mode set to ‘Regular’, measured 1 m/3 feet from the image plane. Silent operation at higher temperatures possible with fan mode set to “Rec low’.
Power In	Three inputs: BAT connector, battery adapter back and battery adapter top. All accept 10.5 to 34 V DC. 85 W power draw for camera and EVF-1 in typical use recording to SxS PRO cards, without accessories.
Power Out	12V connector: limited to 12 V, up to 2.2A. RS, EXT and ETHERNET: input below 24V is regulated up to 24V, above 24V: input = output voltage. Both RS and EXT connectors combined: up to 2.2A. ETHERNET: up to 1.2A. Maximum power draw is also limited by the power source.
Weight	ALEXA camera body + SxS Module: 6.3 Kg/13.8 lbs ALEXA camera body + SxS Module + EVF-1 + Viewfinder Mounting Bracket VMB-2 + viewfinder cable + Center Camera Handle CCH-1: 7.7 Kg/16.9 lbs
Dimensions	Length: 332 mm/12.95”, width: 153 mm/6.02”, height: 158 mm/6.22”
Environmental	-20° C to +45° C (-4° F to +113° F) @ 95% humidity max, non condensing. Splash and dust proof through sealed electronics. System cooling through radiator/single fan.
Lens Mount	"ARRI Exchangeable Lens Mount (ELM)
Flange Focal Depth	52.00 mm nominal
Viewfinder	Low latency (≤1 frame delay) electronic color viewfinder ARRI EVF-1 with 1280 x 784 F-LCOS micro display (image: 1280 x 720, status bars: 1280 x 32 above and 1280 x 32 below image) and ARRI LED illumination, both temperature controlled. Image can be flipped for use of viewfinder on camera left or right. Viewfinder Mounting Bracket allows movement of viewfinder forward/backwards, left/right, up/down, 360 degree rotation and placement on camera left or right.
Assistive Displays	On EVF-1 and MON OUT: frame lines, surround view, camera status, false color exposure check, peaking focus check, compare stored image with life image, RETURN IN video and optional anamorphic de-squeeze.
Control	Camera right: main user interface with 3” transflective 400 x 240 pixel LCD color screen, illuminated buttons and jog wheel. Camera left: operator interface with illuminated buttons and card swap button. EVF-1: viewfinder and basic camera settings, ZOOM button (2.25x pixel to pixel magnification), EXP button (false color exposure check) and jog wheel.
In-camera Recording	"Apple QuickTime/ProRes 4444, 422 (HQ), 422, 422 (LT) or 422 (Proxy) 1080p .mov files with embedded audio, timecode and metadata, recording to SxS PRO cards. ProRes 4444 is RGB 12 bit, all others YCbCr 10 bit
Recording Outputs	"2x REC OUT BNC connectors for uncompressed ARRIRAW or uncompressed HD-SDI video. Both with embedded audio, timecode and metadata. ARRIRAW: 2880 x 1620, 12 bit log signal without white balance or exposure index processing applied. Requires an ARRIRAW T-Link certified recorder. HD-SDI video: 1920 x 1080 4:4:4 RGB or 4:2:2 YCbCr
Monitor Output	"1x MON OUT BNC connector for uncompressed HD-SDI video: 1920 x 1080, 4:2:2 YCbCr
Color Processing	For EVF-1, ProRes, REC OUT and MON OUT: Log C (film matrix off), Log C (film matrix on), Rec 709 or DCI P3. For Rec 709 and DCI P3 a customized look can be applied with ARRI XML Look Files.
Synchronization	Master/Slave mode for precision sync of sensor, processing and HD-SDI outputs for 3D applications.
Playback	QuickTime clips can be played back from the SxS PRO cards to the EVF-1, MON OUT and REC OUT outputs. Playback audio is available embedded on MON OUT and REC OUT and on the headphones jack.
Processing	16 bit linear internal image processing
Audio	1x XLR 5 pin AUDIO IN connector for 2 channel, line level balanced audio input, 24 bit/48 kHz A/D conversion, works at 23.976, 24, 25, 29.97 and 30 fps. Audio is recorded uncompressed into the QuickTime/ProRes file and embedded uncompressed in all HD-SDI outputs, including ARRIRAW T-Link. Max of 2.5 dBm output from AUDIO OUT headphones connector.
Connectors	2x slots for SxS PRO cards (SxS) 2x BNC recording out HD-SDI, 1.5G/3G switchable (REC OUT 1 and REC OUT 2) 1x BNC monitoring out HD-SDI 1.5G (MON OUT) 1x XLR 5 pin audio in (AUDIO IN) 1x BNC return signal/sync in HD-SDI 1.5G (RET/SYNC IN) 1x LEMO 16 pin external accessory interface (EXT) 1x Fischer 2 pin 24 V power in (BAT) 2x Fischer 3 pin 24 V remote start and accessory power out (RS) 1x LEMO 2 pin 12 V accessory power out (12 V) 1x LEMO 5 pin timecode in/out (TC) 1x TRS 3.5 mm headphone mini stereo jack out (AUDIO OUT) 1x LEMO custom 16 pin electronic viewfinder (EVF) 1x LEMO 10 pin Ethernet with power (ETHERNET)
SD Card	Stores camera set up files, log files, frame line xml files and captured stills in ARRIRAW (.ari, 12 bit), TIFF (.tif, 16 bit), DPX (.dpx, 10 bit) and JPEG (.jpg, 8 bit) format. Also used for software updates.
Upgrades	The Storage Interface Module (currently available for SxS PRO cards) can be exchanged for future storage modules. The Electronics Interface Module (available as either regular ALEXA or ALEXA Plus versions) can be exchanged for future control electronics. Exchangeable Lens Mount (ELM) allows other lenses beyond PL mount lenses to be used. Simple camera software updates. Licenses available for purchase: Anamorphic de-squeeze.
	Note: All technical data based on Software Update Packet (SUP) 4.0. All data subject to change without notice.

PMW-F3 - SONY

d요리사b — Fri, 28 Oct 2011 11:53:20 +0900

PMW-F3 - SONY

Exmor ™ Super35 CMOS 이미지 센서

세 고품질 35mm 렌즈가 표준으로 제공

35mm Cine 렌즈과의 호환성을 위해 PL 마운트 어댑터

23.98P Native Recording

줌 렌즈에 대한 소니 F3 원본 마운트

슬로우 & 퀵 모션 기능

'MPEG - 2 롱 GOP'코덱을 이용하여 1920 X 1080의 HD 녹화

여러 형식으로 녹음 - 720분의 1,080 및 인터 레이스 / 프로 그레시브 전환 작업

Selectable Bit Rates

The PMW-F3K camcorder offers a choice of bit rates - either 35 Mb/s (HQ mode) or 25 Mb/s (SP mode) - depending on the desired picture quality and recording time. The HQ mode supports both 1920 x 1080 and 1280 x 720 resolutions. The SP mode supports 1440 x 1080 resolution at 25 Mb/s, which provides compatibility with HDV 1080i products.

http://www.sony.co.uk/biz/product/xdcamcamcorders/pmw-f3k/features

http://bp.sony.co.kr/

7200RPM 3.5인치 SATA 하드 드라이브 ‘WD 캐비어(Caviar) 블랙’

d요리사b — Thu, 27 Oct 2011 16:35:14 +0900

시스템 하드디스크로는 SATA 3 500GB (6G)

WD Caviar Black 500 GB SATA 하드 드라이브 ( WD5002AALX)

제품사양및 세부정보는

http://www.wdc.com/kr/products/products.aspx?id=100&wdc_lang=kr

RED Epic-M 레드원 카메라

d요리사b — Tue, 25 Oct 2011 14:24:52 +0900

http://www.red.com/products/epic

Specs

Sensor: 14 Megapixel Mysterium-X™

Dynamic Range: 13.5 stops, up to 18 stops with HDRx™

Depth of Field: Equivalent to S35mm (Motion) / APS-H (Still) lenses

Equivalent to 16mm (Motion) lens in 2K RAW

Acquisition Formats: 5K RAW (Full Frame, 2:1, 2.4:1 and Anamorphic 2:1)

4.5K RAW (2.4:1)

4K RAW (16:9, HD, 2:1 and Anamorphic 2:1)

3K RAW (16:9, 2:1 and Anamorphic 2:1)

2K RAW (16:9, 2:1 and Anamorphic 2:1)

1080p RGB (16:9)

720p RGB (16:9)

Framerates: 23.98, 24, 25, 29.97, 48, 50, 59.94 fps, all resolutions

Delivery Formats: 4K - DPX, TIFF, OpenEXR (RED RAY via optional encoder)

2K - DPX, TIFF, OpenEXR (RED RAY via optional encoder)

1080p RGB or 4:2:2, 720p 4:2:2 : Quicktime, JPEG

Avid AAF, MXF. 1080p 4.2.0, 720p 4:2:0 : H.264, .MP4

Digital Media: REDFLASH (CF) Module : (8, 16GB Media)

REDFLASH (SSD) Module : (64, 128, 256GB Media)

Audio: 2 channel, uncompressed, 24 bit, 48KHz

Optional 4 channel, and AES / EBU digtal audio.

Weight: 5 lbs. Body only

초고속카메라 팬텀 Phantom v641 최대해상도 219,200fps

d요리사b — Tue, 25 Oct 2011 13:57:59 +0900

Native 2K+ resolution, user selectable resolutions

Up to 2560 frames-per-second at 1080p, 5350 at 720p

Frame rates adjustable in 1 fps increments - Shutter speeds as fast as one microsecond (1/1,00,000 second)

12-bit sensor depth (36-bit color)

11 stop dynamic range - Approximately ISO 1000

35mm depth-of-field - Video out: 4:4:4 or 4:2:2 HD-SDI (720p, 1080psf, 1080i – all standard formats)

32GB internal memory - Weight 12lb (5.4kg)

Compatible with 35mm accessories and Abel Phantom accessories

35mm format PL-mount lens compatible

프리미어 자막넣기(자막작업) 동영상편집 - 프리미어강좌

d요리사b — Fri, 22 Jul 2011 14:58:02 +0900

프리미어 자막넣기(자막작업) 동영상편집 - 프리미어강좌

역시나 자막작업또한 손과 눈만 있으면 누구나 작업할 수 있다.ㅋㅋㅋㅋㅋ
물론 상업적인 목적으로 작업한다면 디자인 감각이나 센스가 있어야한다.

이전 강좌에서 효과작업하는 것까지 했다. 드뎌 자막작업이다.
자막대충 넣고 음향만 넣으면 얼렁뚱땅 동영상편집은 해낼수 있다.

동영상 불러와서 컷팅 작업하고 트렌지션 넣고 어느정도 완성이 되었다면 자막작업을 해보자

1. Ctrl+t 를 누르든지 아래의 그림처럼 Title > new title >> dafault still 을 클릭한다.

2. 클릭하면 New Tile창이 뜬다.
name란에 타이틀 제목을 넣고 확인 버튼을 누른다.

3. 확인 버튼 후 아래의 창이 열린다. ㅋ
프리뷰 화면에 내가 넣고 싶은 타이틀 자막을 넣는다.

Title Properties창만 알면 나머진 그냥 눌러보면 안다.
오류날일도 없고 나면 다시 닫고 열면되고 컴퓨터가 혹 뻗으면 껏다키면되고 ㅋㅋㅋ 하나하나 다 눌러보면 뭔지 알수있음. ㅋㅋㅋ

Transform : 투명도, 위치, 크기, 기울기를 조절할수있다.

Properties : 글씨체(폰트), 사이즈. 기울기, 방향 간격등을 조절할 수있다.

Fill : 색상, 투명도, 광체, 글씨체에 패턴을 넣을 수 있다.

Strokes : 테두리 작업

Shadow : 그림자 작업

4. 타이틀 작업을 마치고 오른쪽상단 x표시를 닫으면 프로젝트 창에 타이틀파일이 생겨있다.
마우스로 드래그해서 원하는 타임라인위치로 이동하면 작업 끝!!!!!!

프리미어 자막넣기(자막작업) 동영상편집 - 프리미어강좌